Author: Hope-Elena Sardella, ENG225, 02/26/2018
Maude seems to be the light in Harold’s life that he’s never had, that which he is drawn to her positivity. Harold’s mother is the main obstacle/ protagonist whom he fight’s with relentlessly, to preserve his relationship with Maude. What makes this film so unique in its genre; Is that the movie defies all predispositions of the typical Romantic Comedy, by being completely absent of a “happy ending,” but also displaying insurmountable amounts of Black Humor.
Harold and Maude is technically classified under the romantic comedy section but has a sub-genre called Black Comedy. The sub-genre of a film is a refined genre classification of the events within a movie (Goodykoontz & Jacob, 2014). Due to my intimate knowledge of this film, I can tell you that Harold and Maude is quite the unlikely love story. Harold and Maude illustrates the life of a young man, whom might I add come from an extremely wealthy family that he harbors disdain towards. Despite his wealth, he is very depressed and feels the need to stage his suicide frequently to scare his mother (yet one of the many examples of black humor). In one of my all-time favorite scenes of Harold and Maude, we see an amazing example of Black Humor; Harold’s mother purchases him an E-type Jaguar. Harold hates the car, and to spite his mother, he chops off the top and replaces the top of the vehicle with the top of a Herse.
In these scenes, the audience is introduced to the sub-genre of Black Comedy which is consistent throughout the film. Black Comedy is a style of comedy that makes fun of certain subject’s that society says we should take seriously. Professor and author Wes Gehring, validate’s the presence of Black Comedy in the film Harold and Maude’s by stating “In terms of black humor’s final pivotal theme (man as beast) as it applies to Harold and Maude, we need to go no further than the concentration camp number tattooed on Maude’s arm”. The genre of Romance Comedy and sub-genre of Black Comedy is prevalent throughout the entirety of the film Harold and Maude, which makes this romantic comedy unique.
References
Gehring, W. D. (2016). Chapter 4 – Harold and Maude (12/21/71). In Genre-busting dark comedies of the 1970s: twelve American films (pp. 68-85). Jefferson, NC: McFarland & Co. doi:https://books.google.com/books?id=zDPECwAAQBAJ&pg=PA80&lpg=PA80&dq=sub genres of the film harold and maude&source=bl&ots=1X6f4ntEL2&sig=wiQzkpUYVfBYUb_r3r_gkLeJgfM&hl=en&sa=X&ved=0ahUKEwiwzJ2dkLjZAhUq_IMKHTHmDSQQ6AEIiQEwCw#v=onepage&q=sub%20genres%20of%20the%20film%20harold%20and%20maude&f=false
Goodykoontz, B. & Jacobs, C. P.(2014).Film: From watching to seeing(2nd ed.) [Electronic version]. Retrieved from https://content.ashford.edu/ (Links to an external site.)Links to an external site.
YouTube. (2011). Movieclips [Video channel]. Retrieved from https://youtu.be/WuHkE1eU2AY (Links to an external site.)
YouTube. (2017). Movieclips [Video channel]. Retrieved from
