{"id":1554,"date":"2026-01-20T20:37:30","date_gmt":"2026-01-20T20:37:30","guid":{"rendered":"https:\/\/themossytypewriter.wpcomstaging.com\/2026\/01\/20\/emily-in-paris-is-charming-but-it-doesnt-make-me-want-to-visit-france-anymore\/"},"modified":"2026-02-25T08:04:04","modified_gmt":"2026-02-25T08:04:04","slug":"emily-in-paris-is-charming-but-it-doesnt-make-me-want-to-visit-france-anymore","status":"publish","type":"post","link":"https:\/\/themossytypewriter.com\/?p=1554","title":{"rendered":"Emily in Paris Is Charming – But It Doesn’t Make Me Want to Visit France Anymore"},"content":{"rendered":"

<\/p>\n

\n

<\/p>\n

<\/p>\n

<\/p>\n

There\u2019s something undeniably delightful about Emily in Paris<\/em>. The colors, the clothes, the flirtations, the unapologetic sparkle \u2014 it\u2019s a show that knows exactly what it is and refuses to apologize for being fun. I love that about it. I love the escapism, the fashion, the way Paris glows like a curated postcard. <\/p>\n

But loving the show doesn\u2019t mean I buy into the fantasy anymore.<\/p>\n

Not as an American.<\/p>\n

And definitely not as someone whose family lived the complicated truth behind that postcard.<\/p>\n

\n

The American Abroad Fantasy Doesn\u2019t Hit the Same<\/h2>\n

There was a time when shows like Emily in Paris<\/em> made me want to pack a suitcase and wander cobblestone streets. But the world has shifted. Being an American abroad doesn\u2019t feel carefree or charming anymore. It feels\u2026 watched. Judged. Sometimes unwelcome.<\/p>\n

The show sells a version of France where Americans are quirky, harmless, and easily forgiven. Real life doesn\u2019t always extend that grace.<\/p>\n

And for me, the disconnect runs deeper than modern politics or cultural tension. It\u2019s generational.<\/p>\n

\n

A Relationship Already Strained by History \u2014 and Strained Again Today<\/h2>\n

If we\u2019re being honest, Emily in Paris<\/em> arrives at a moment when the real\u2011world relationship between the United States and France is already tense. And that tension isn\u2019t new \u2014 it\u2019s part of a long, uneven history between the two countries. There have been moments of deep alliance, but also moments of open conflict: the Quasi\u2011War of the 1790s, the diplomatic meltdown of the XYZ Affair, France\u2019s withdrawal from NATO\u2019s command structure in the 1960s, and the bitter divide over the Iraq War in 2003. Even today, disagreements over trade, climate policy, and public political remarks continue to create friction between Washington and Paris. So when a show paints France as effortlessly charmed by an American newcomer, it feels out of sync with the reality that this is one of the most strained periods in modern Franco\u2011American relations \u2014 socially, politically, and culturally.<\/p>\n

\n

My Family\u2019s French\u2013Vietnamese Story Lives Under the Surface<\/h2>\n

My grandmother wrote Saigon Is Burning<\/em>, a book that documents the French\u2013Vietnamese experience from the inside \u2014 not the romanticized version, but the lived one.<\/p>\n

My family is Swiss French and Vietnamese.<\/p>\n

My great\u2011grandmother was French and Vietnamese.<\/p>\n

We were what the French called M\u00e9tis<\/em> \u2014 mixed.<\/p>\n

And in colonial Vietnam, that wasn\u2019t a poetic descriptor. It was a category. A limitation. A reminder.<\/p>\n

Without a French last name, you couldn\u2019t get certain jobs.<\/p>\n

You couldn\u2019t access certain schools.<\/p>\n

You couldn\u2019t move freely in the world the way Emily Cooper does with her bright wardrobe and brighter optimism.<\/p>\n

Some of my relatives had to marry or be adopted just to gain a French surname \u2014 not for love, but for survival. And even then, acceptance was conditional. You were never fully French. Never fully Vietnamese. Always something in between.<\/p>\n

That kind of history doesn\u2019t disappear. It echoes.<\/p>\n

<\/p>\n

I carry Vietnamese, French, Swiss, and American blood \u2014 and I carry it proudly. My grandmother escaped Vietnam before the war, bilingual and brave, her story folded into mine. The French influence runs through our food and our future; in every pastry, there\u2019s a softness and a strength that belong to both worlds. Vietnamese desserts are a quiet miracle \u2014 delicate, defiant, and born from history. Without France, I don\u2019t know where my family would be. But I know this: we are here. And we are beautiful.<\/p>\n

\n

The Show\u2019s Paris Isn\u2019t My Family\u2019s Paris<\/h2>\n

So when I watch Emily in Paris<\/em>, I enjoy it \u2014 truly. But I also feel the gap between the fantasy and the truth my family lived through.<\/p>\n

The show\u2019s Paris is glossy, forgiving, and uncomplicated.<\/p>\n

My family\u2019s Paris \u2014 the one that shaped our identity \u2014 was layered with hierarchy, exclusion, and the quiet ache of never belonging anywhere completely.<\/p>\n

It\u2019s hard to unsee that once you know it.<\/p>\n

\n

Loving the Show Doesn\u2019t Mean Ignoring the Truth<\/h2>\n

I can adore the fashion, the humor, the escapism. I can appreciate the joy of a show that doesn\u2019t pretend to be anything other than entertainment.<\/p>\n

But I also carry the stories of my grandmother, my great\u2011grandmother, and the generations who navigated a France that didn\u2019t look like a postcard.<\/p>\n

So no \u2014 Emily in Paris<\/em> doesn\u2019t make me want to visit France anymore.<\/p>\n

It makes me think about identity, belonging, and the way history lingers in the background of even the brightest scenes.<\/p>\n

And maybe that\u2019s its own kind of clarity.<\/p>\n<\/section>\n

\n

<\/p>\n

<\/p>\n

<\/p>\n

\n

Emily in Paris est charmante \u2014 mais elle ne me donne plus envie de visiter la France<\/h2>\n

Il y a quelque chose d\u2019ind\u00e9niablement d\u00e9licieux dans Emily in Paris<\/em>. Les couleurs, les v\u00eatements, les flirtations, l\u2019\u00e9clat assum\u00e9 \u2014 c\u2019est une s\u00e9rie qui sait exactement ce qu\u2019elle est et qui refuse de s\u2019excuser d\u2019\u00eatre joyeuse. J\u2019aime \u00e7a. J\u2019aime l\u2019\u00e9vasion, la mode, la fa\u00e7on dont Paris brille comme une carte postale soigneusement compos\u00e9e.<\/p>\n

Mais aimer la s\u00e9rie ne veut pas dire que j\u2019ach\u00e8te encore le fantasme.<\/p>\n

Pas en tant qu\u2019Am\u00e9ricaine.<\/p>\n

Et certainement pas en tant que personne dont la famille a v\u00e9cu la v\u00e9rit\u00e9 compliqu\u00e9e derri\u00e8re cette carte postale.<\/p>\n

\n

Le fantasme de l\u2019Am\u00e9ricaine \u00e0 l\u2019\u00e9tranger ne r\u00e9sonne plus<\/h3>\n

Il fut un temps o\u00f9 des s\u00e9ries comme Emily in Paris<\/em> me donnaient envie de faire une valise et de marcher sur des rues pav\u00e9es. Mais le monde a chang\u00e9. \u00catre Am\u00e9ricaine \u00e0 l\u2019\u00e9tranger ne semble plus insouciant ou charmant. Cela semble\u2026 observ\u00e9. Jug\u00e9. Parfois ind\u00e9sirable.<\/p>\n

La s\u00e9rie vend une version de la France o\u00f9 les Am\u00e9ricains sont excentriques, inoffensifs et facilement pardonn\u00e9s. La vraie vie n\u2019offre pas toujours cette indulgence.<\/p>\n

Et pour moi, le d\u00e9calage va plus loin que la politique moderne ou les tensions culturelles. Il est g\u00e9n\u00e9rationnel.<\/p>\n

\n

Une relation d\u00e9j\u00e0 tendue par l\u2019histoire \u2014 et encore plus aujourd\u2019hui<\/h3>\n

Soyons honn\u00eates : Emily in Paris<\/em> arrive \u00e0 un moment o\u00f9 la relation r\u00e9elle entre les \u00c9tats\u2011Unis et la France est d\u00e9j\u00e0 fragile. Et cette fragilit\u00e9 n\u2019est pas nouvelle \u2014 elle fait partie d\u2019une longue histoire irr\u00e9guli\u00e8re entre les deux pays. Il y a eu des alliances profondes, mais aussi des conflits ouverts : la quasi\u2011guerre des ann\u00e9es 1790, le scandale diplomatique de l\u2019Affaire XYZ, le retrait de la France du commandement int\u00e9gr\u00e9 de l\u2019OTAN dans les ann\u00e9es 1960, et la fracture am\u00e8re autour de la guerre en Irak en 2003. Aujourd\u2019hui encore, les d\u00e9saccords sur le commerce, le climat et les d\u00e9clarations publiques entretiennent les tensions. Alors quand une s\u00e9rie montre une France facilement charm\u00e9e par une Am\u00e9ricaine, cela sonne faux \u2014 surtout dans l\u2019un des moments les plus tendus des relations franco\u2011am\u00e9ricaines modernes.<\/p>\n

\n

L\u2019histoire franco\u2011vietnamienne de ma famille vit sous la surface<\/h3>\n

Ma grand\u2011m\u00e8re a \u00e9crit Saigon Is Burning<\/em>, un livre qui raconte l\u2019exp\u00e9rience franco\u2011vietnamienne de l\u2019int\u00e9rieur \u2014 pas la version romanc\u00e9e, mais la version v\u00e9cue.<\/p>\n

Ma famille est suisse, fran\u00e7aise et vietnamienne.<\/p>\n

Mon arri\u00e8re\u2011grand\u2011m\u00e8re \u00e9tait fran\u00e7aise et vietnamienne.<\/p>\n

Nous \u00e9tions ce que les Fran\u00e7ais appelaient M\u00e9tis<\/em> \u2014 m\u00e9tiss\u00e9s.<\/p>\n

Et dans le Vietnam colonial, ce n\u2019\u00e9tait pas un mot po\u00e9tique. C\u2019\u00e9tait une cat\u00e9gorie. Une limite. Un rappel.<\/p>\n

Sans nom de famille fran\u00e7ais, vous ne pouviez pas obtenir certains emplois.<\/p>\n

Vous n\u2019aviez pas acc\u00e8s \u00e0 certaines \u00e9coles.<\/p>\n

Vous ne pouviez pas circuler librement comme Emily Cooper avec sa garde\u2011robe lumineuse et son optimisme encore plus \u00e9clatant.<\/p>\n

Certaines de mes parentes ont d\u00fb se marier ou \u00eatre adopt\u00e9es simplement pour obtenir un nom fran\u00e7ais \u2014 non pas par amour, mais pour survivre. Et m\u00eame ainsi, l\u2019acceptation restait conditionnelle. Jamais compl\u00e8tement fran\u00e7aise. Jamais compl\u00e8tement vietnamienne. Toujours entre les deux.<\/p>\n

Ce genre d\u2019histoire ne dispara\u00eet pas. Il r\u00e9sonne.<\/p>\n

La Douceur de la Survie<\/h3>\n

Je porte en moi le sang vietnamien, fran\u00e7ais, suisse et am\u00e9ricain \u2014 et j\u2019en suis fi\u00e8re. Ma grand\u2011m\u00e8re a quitt\u00e9 le Vietnam avant la guerre, bilingue et courageuse, son histoire tiss\u00e9e dans la mienne. L\u2019influence fran\u00e7aise traverse notre cuisine et notre destin; dans chaque p\u00e2tisserie, il y a une douceur et une force qui appartiennent aux deux mondes. Les desserts vietnamiens sont un miracle discret \u2014 d\u00e9licats, r\u00e9sistants, n\u00e9s de l\u2019histoire. Sans la France, je ne sais pas o\u00f9 ma famille serait aujourd\u2019hui. Mais je sais ceci : nous sommes l\u00e0. Et nous sommes magnifiques.<\/p>\n

\n

Le Paris de la s\u00e9rie n\u2019est pas le Paris de ma famille<\/h3>\n

Alors quand je regarde Emily in Paris<\/em>, j\u2019appr\u00e9cie \u2014 vraiment. Mais je ressens aussi l\u2019\u00e9cart entre le fantasme et la v\u00e9rit\u00e9 que ma famille a v\u00e9cue.<\/p>\n

Le Paris de la s\u00e9rie est brillant, indulgent, sans complications.<\/p>\n

Le Paris de ma famille \u2014 celui qui a fa\u00e7onn\u00e9 notre identit\u00e9 \u2014 \u00e9tait fait de hi\u00e9rarchie, d\u2019exclusion, et de cette douleur silencieuse de n\u2019appartenir compl\u00e8tement \u00e0 aucun monde.<\/p>\n

Une fois que vous le savez, il est difficile de l\u2019oublier.<\/p>\n

\n

Aimer la s\u00e9rie ne veut pas dire ignorer la v\u00e9rit\u00e9<\/h3>\n

Je peux adorer la mode, l\u2019humour, l\u2019\u00e9vasion. Je peux appr\u00e9cier la joie d\u2019une s\u00e9rie qui ne pr\u00e9tend \u00eatre rien d\u2019autre qu\u2019un divertissement.<\/p>\n

Mais je porte aussi les histoires de ma grand\u2011m\u00e8re, de mon arri\u00e8re\u2011grand\u2011m\u00e8re, et des g\u00e9n\u00e9rations qui ont navigu\u00e9 dans une France qui ne ressemblait pas \u00e0 une carte postale.<\/p>\n

Alors non \u2014 Emily in Paris<\/em> ne me donne plus envie de visiter la France.<\/p>\n

Elle me fait r\u00e9fl\u00e9chir \u00e0 l\u2019identit\u00e9, \u00e0 l\u2019appartenance, et \u00e0 la fa\u00e7on dont l\u2019histoire se glisse dans les sc\u00e8nes les plus lumineuses.<\/p>\n

Et peut\u2011\u00eatre que c\u2019est une autre forme de clart\u00e9.<\/p>\n<\/section>\n

\n

<\/p>\n

<\/p>\n

<\/p>\n

\n

Emily in Paris th\u1eadt d\u1ec5 th\u01b0\u01a1ng \u2014 nh\u01b0ng kh\u00f4ng c\u00f2n khi\u1ebfn t\u00f4i mu\u1ed1n \u0111\u1ebfn Ph\u00e1p n\u1eefa<\/h2>\n

C\u00f3 \u0111i\u1ec1u g\u00ec \u0111\u00f3 th\u1eadt cu\u1ed1n h\u00fat trong Emily in Paris<\/em>. M\u00e0u s\u1eafc, trang ph\u1ee5c, nh\u1eefng rung \u0111\u1ed9ng l\u00e3ng m\u1ea1n, s\u1ef1 l\u1ea5p l\u00e1nh kh\u00f4ng h\u1ec1 che gi\u1ea5u \u2014 b\u1ed9 phim bi\u1ebft ch\u00ednh x\u00e1c n\u00f3 l\u00e0 g\u00ec v\u00e0 kh\u00f4ng xin l\u1ed7i v\u00ec ni\u1ec1m vui m\u00e0 n\u00f3 mang l\u1ea1i. T\u00f4i th\u00edch \u0111i\u1ec1u \u0111\u00f3. T\u00f4i th\u00edch s\u1ef1 tho\u00e1t ly, th\u1eddi trang, v\u00e0 c\u00e1ch Paris t\u1ecfa s\u00e1ng nh\u01b0 m\u1ed9t t\u1ea5m b\u01b0u thi\u1ebfp \u0111\u01b0\u1ee3c s\u1eafp \u0111\u1eb7t ho\u00e0n h\u1ea3o.<\/p>\n

Nh\u01b0ng y\u00eau b\u1ed9 phim kh\u00f4ng c\u00f3 ngh\u0129a l\u00e0 t\u00f4i c\u00f2n tin v\u00e0o gi\u1ea5c m\u01a1 \u1ea5y.<\/p>\n

Kh\u00f4ng ph\u1ea3i v\u1edbi t\u01b0 c\u00e1ch m\u1ed9t ng\u01b0\u1eddi M\u1ef9.<\/p>\n

V\u00e0 c\u00e0ng kh\u00f4ng ph\u1ea3i v\u1edbi t\u01b0 c\u00e1ch m\u1ed9t ng\u01b0\u1eddi mang trong m\u00ecnh c\u00e2u chuy\u1ec7n ph\u1ee9c t\u1ea1p m\u00e0 gia \u0111\u00ecnh t\u00f4i \u0111\u00e3 s\u1ed1ng.<\/p>\n

\n

Gi\u1ea5c m\u01a1 \u201cng\u01b0\u1eddi M\u1ef9 \u1edf n\u01b0\u1edbc ngo\u00e0i\u201d kh\u00f4ng c\u00f2n \u0111\u00fang n\u1eefa<\/h3>\n

\u0110\u00e3 c\u00f3 l\u00fac nh\u1eefng b\u1ed9 phim nh\u01b0 Emily in Paris<\/em> khi\u1ebfn t\u00f4i mu\u1ed1n x\u00e1ch vali v\u00e0 \u0111i d\u1ea1o tr\u00ean nh\u1eefng con \u0111\u01b0\u1eddng l\u00e1t \u0111\u00e1. Nh\u01b0ng th\u1ebf gi\u1edbi \u0111\u00e3 thay \u0111\u1ed5i. L\u00e0 ng\u01b0\u1eddi M\u1ef9 \u1edf n\u01b0\u1edbc ngo\u00e0i kh\u00f4ng c\u00f2n c\u1ea3m gi\u00e1c v\u00f4 t\u01b0 hay d\u1ec5 th\u01b0\u01a1ng n\u1eefa. N\u00f3 c\u1ea3m gi\u00e1c\u2026 b\u1ecb quan s\u00e1t. B\u1ecb ph\u00e1n x\u00e9t. \u0110\u00f4i khi kh\u00f4ng \u0111\u01b0\u1ee3c ch\u00e0o \u0111\u00f3n.<\/p>\n

B\u1ed9 phim b\u00e1n m\u1ed9t h\u00ecnh \u1ea3nh n\u01b0\u1edbc Ph\u00e1p n\u01a1i ng\u01b0\u1eddi M\u1ef9 \u0111\u01b0\u1ee3c xem l\u00e0 d\u1ec5 th\u01b0\u01a1ng, v\u00f4 h\u1ea1i v\u00e0 d\u1ec5 d\u00e0ng \u0111\u01b0\u1ee3c tha th\u1ee9. Ngo\u00e0i \u0111\u1eddi, \u0111i\u1ec1u \u0111\u00f3 kh\u00f4ng ph\u1ea3i l\u00fac n\u00e0o c\u0169ng \u0111\u00fang.<\/p>\n

V\u00e0 v\u1edbi t\u00f4i, s\u1ef1 l\u1ec7ch pha n\u00e0y s\u00e2u h\u01a1n c\u1ea3 ch\u00ednh tr\u1ecb hay v\u0103n h\u00f3a hi\u1ec7n \u0111\u1ea1i. N\u00f3 l\u00e0 chuy\u1ec7n c\u1ee7a nhi\u1ec1u th\u1ebf h\u1ec7.<\/p>\n

\n

M\u1ed9t m\u1ed1i quan h\u1ec7 v\u1ed1n \u0111\u00e3 c\u0103ng th\u1eb3ng \u2014 v\u00e0 c\u00e0ng c\u0103ng th\u1eb3ng h\u01a1n ng\u00e0y nay<\/h3>\n

Th\u1ef1c t\u1ebf m\u00e0 n\u00f3i, Emily in Paris<\/em> xu\u1ea5t hi\u1ec7n v\u00e0o th\u1eddi \u0111i\u1ec3m quan h\u1ec7 gi\u1eefa Hoa K\u1ef3 v\u00e0 Ph\u00e1p v\u1ed1n \u0111\u00e3 mong manh. V\u00e0 \u0111i\u1ec1u n\u00e0y kh\u00f4ng m\u1edbi \u2014 n\u00f3 l\u00e0 m\u1ed9t ph\u1ea7n c\u1ee7a l\u1ecbch s\u1eed d\u00e0i \u0111\u1ea7y th\u0103ng tr\u1ea7m gi\u1eefa hai qu\u1ed1c gia. \u0110\u00e3 c\u00f3 nh\u1eefng th\u1eddi k\u1ef3 \u0111\u1ed3ng minh s\u00e2u s\u1eafc, nh\u01b0ng c\u0169ng c\u00f3 nh\u1eefng xung \u0111\u1ed9t r\u00f5 r\u1ec7t: cu\u1ed9c \u201cchi\u1ebfn tranh g\u1ea7n nh\u01b0\u201d v\u00e0o nh\u1eefng n\u0103m 1790, v\u1ee5 b\u00ea b\u1ed1i ngo\u1ea1i giao XYZ, vi\u1ec7c Ph\u00e1p r\u00fat kh\u1ecfi b\u1ed9 ch\u1ec9 huy NATO v\u00e0o th\u1eadp ni\u00ean 1960, v\u00e0 s\u1ef1 chia r\u1ebd cay \u0111\u1eafng v\u1ec1 chi\u1ebfn tranh Iraq n\u0103m 2003. Ng\u00e0y nay, nh\u1eefng b\u1ea5t \u0111\u1ed3ng v\u1ec1 th\u01b0\u01a1ng m\u1ea1i, kh\u00ed h\u1eadu v\u00e0 ph\u00e1t ng\u00f4n ch\u00ednh tr\u1ecb ti\u1ebfp t\u1ee5c t\u1ea1o ra c\u0103ng th\u1eb3ng. V\u00ec v\u1eady, khi b\u1ed9 phim m\u00f4 t\u1ea3 m\u1ed9t n\u01b0\u1edbc Ph\u00e1p d\u1ec5 d\u00e0ng b\u1ecb m\u1ed9t c\u00f4 g\u00e1i M\u1ef9 l\u00e0m xi\u00eau l\u00f2ng, \u0111i\u1ec1u \u0111\u00f3 nghe th\u1eadt xa r\u1eddi th\u1ef1c t\u1ebf \u2014 nh\u1ea5t l\u00e0 trong giai \u0111o\u1ea1n c\u0103ng th\u1eb3ng nh\u1ea5t c\u1ee7a quan h\u1ec7 Ph\u00e1p\u2013M\u1ef9 hi\u1ec7n \u0111\u1ea1i.<\/p>\n

\n

C\u00e2u chuy\u1ec7n Ph\u00e1p\u2013Vi\u1ec7t c\u1ee7a gia \u0111\u00ecnh t\u00f4i lu\u00f4n hi\u1ec7n di\u1ec7n ph\u00eda sau<\/h3>\n

B\u00e0 ngo\u1ea1i t\u00f4i vi\u1ebft Saigon Is Burning<\/em>, m\u1ed9t cu\u1ed1n s\u00e1ch k\u1ec3 l\u1ea1i tr\u1ea3i nghi\u1ec7m Ph\u00e1p\u2013Vi\u1ec7t t\u1eeb b\u00ean trong \u2014 kh\u00f4ng ph\u1ea3i phi\u00ean b\u1ea3n l\u00e3ng m\u1ea1n, m\u00e0 l\u00e0 phi\u00ean b\u1ea3n th\u1eadt.<\/p>\n

Gia \u0111\u00ecnh t\u00f4i l\u00e0 s\u1ef1 h\u00f2a tr\u1ed9n gi\u1eefa Th\u1ee5y S\u0129, Ph\u00e1p v\u00e0 Vi\u1ec7t Nam.<\/p>\n

C\u1ee5 t\u00f4i l\u00e0 ng\u01b0\u1eddi Ph\u00e1p v\u00e0 Vi\u1ec7t.<\/p>\n

Ch\u00fang t\u00f4i l\u00e0 M\u00e9tis<\/em> \u2014 con lai.<\/p>\n

V\u00e0 trong th\u1eddi Ph\u00e1p thu\u1ed9c, \u0111\u00f3 kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t t\u1eeb \u0111\u1eb9p. N\u00f3 l\u00e0 m\u1ed9t ph\u00e2n lo\u1ea1i. M\u1ed9t gi\u1edbi h\u1ea1n. M\u1ed9t l\u1eddi nh\u1eafc nh\u1edf.<\/p>\n

Kh\u00f4ng c\u00f3 h\u1ecd Ph\u00e1p, b\u1ea1n kh\u00f4ng th\u1ec3 c\u00f3 nh\u1eefng c\u00f4ng vi\u1ec7c nh\u1ea5t \u0111\u1ecbnh.<\/p>\n

B\u1ea1n kh\u00f4ng th\u1ec3 v\u00e0o nh\u1eefng tr\u01b0\u1eddng h\u1ecdc nh\u1ea5t \u0111\u1ecbnh.<\/p>\n

B\u1ea1n kh\u00f4ng th\u1ec3 t\u1ef1 do \u0111i l\u1ea1i nh\u01b0 Emily Cooper v\u1edbi t\u1ee7 \u0111\u1ed3 r\u1ef1c r\u1ee1 v\u00e0 s\u1ef1 l\u1ea1c quan v\u00f4 t\u1eadn.<\/p>\n

M\u1ed9t s\u1ed1 ng\u01b0\u1eddi trong gia \u0111\u00ecnh t\u00f4i ph\u1ea3i k\u1ebft h\u00f4n ho\u1eb7c \u0111\u01b0\u1ee3c nh\u1eadn l\u00e0m con nu\u00f4i ch\u1ec9 \u0111\u1ec3 c\u00f3 \u0111\u01b0\u1ee3c h\u1ecd Ph\u00e1p \u2014 kh\u00f4ng ph\u1ea3i v\u00ec t\u00ecnh y\u00eau, m\u00e0 v\u00ec s\u1ef1 s\u1ed1ng c\u00f2n. V\u00e0 ngay c\u1ea3 khi c\u00f3 h\u1ecd Ph\u00e1p, s\u1ef1 ch\u1ea5p nh\u1eadn v\u1eabn lu\u00f4n c\u00f3 \u0111i\u1ec1u ki\u1ec7n. Kh\u00f4ng bao gi\u1edd ho\u00e0n to\u00e0n l\u00e0 ng\u01b0\u1eddi Ph\u00e1p. Kh\u00f4ng bao gi\u1edd ho\u00e0n to\u00e0n l\u00e0 ng\u01b0\u1eddi Vi\u1ec7t. Lu\u00f4n \u1edf gi\u1eefa.<\/p>\n

Nh\u1eefng c\u00e2u chuy\u1ec7n nh\u01b0 v\u1eady kh\u00f4ng bi\u1ebfn m\u1ea5t. Ch\u00fang vang v\u1ecdng.<\/p>\n

S\u1ef1 Ng\u1ecdt Ng\u00e0o c\u1ee7a S\u1ef1 S\u1ed1ng C\u00f2n<\/h3>\n

T\u00f4i mang trong m\u00ecnh d\u00f2ng m\u00e1u Vi\u1ec7t Nam, Ph\u00e1p, Th\u1ee5y S\u0129 v\u00e0 M\u1ef9 \u2014 v\u00e0 t\u00f4i t\u1ef1 h\u00e0o v\u1ec1 \u0111i\u1ec1u \u0111\u00f3. B\u00e0 ngo\u1ea1i t\u00f4i r\u1eddi Vi\u1ec7t Nam tr\u01b0\u1edbc chi\u1ebfn tranh, song ng\u1eef v\u00e0 can \u0111\u1ea3m, c\u00e2u chuy\u1ec7n c\u1ee7a b\u00e0 h\u00f2a v\u00e0o c\u00e2u chuy\u1ec7n c\u1ee7a t\u00f4i. \u1ea2nh h\u01b0\u1edfng c\u1ee7a Ph\u00e1p ch\u1ea3y trong \u1ea9m th\u1ef1c v\u00e0 t\u01b0\u01a1ng lai c\u1ee7a gia \u0111\u00ecnh t\u00f4i; trong m\u1ed7i chi\u1ebfc b\u00e1nh ng\u1ecdt l\u00e0 s\u1ef1 m\u1ec1m m\u1ea1i v\u00e0 s\u1ee9c m\u1ea1nh c\u1ee7a hai th\u1ebf gi\u1edbi. B\u00e1nh ng\u1ecdt Vi\u1ec7t Nam l\u00e0 m\u1ed9t \u0111i\u1ec1u k\u1ef3 di\u1ec7u l\u1eb7ng l\u1ebd \u2014 tinh t\u1ebf, ki\u00ean c\u01b0\u1eddng, sinh ra t\u1eeb l\u1ecbch s\u1eed. N\u1ebfu kh\u00f4ng c\u00f3 n\u01b0\u1edbc Ph\u00e1p, t\u00f4i kh\u00f4ng bi\u1ebft gia \u0111\u00ecnh m\u00ecnh s\u1ebd \u1edf \u0111\u00e2u. Nh\u01b0ng t\u00f4i bi\u1ebft \u0111i\u1ec1u n\u00e0y: ch\u00fang t\u00f4i v\u1eabn \u1edf \u0111\u00e2y. V\u00e0 ch\u00fang t\u00f4i th\u1eadt \u0111\u1eb9p.<\/p>\n

\n

Paris trong phim kh\u00f4ng ph\u1ea3i Paris c\u1ee7a gia \u0111\u00ecnh t\u00f4i<\/h3>\n

V\u00ec v\u1eady, khi t\u00f4i xem Emily in Paris<\/em>, t\u00f4i th\u1eadt<\/p>\n<\/section>\n<\/article>\n\n

\n\n\t\t\n
    \n\t\t\t <\/ul>\n <\/div> \n","protected":false},"excerpt":{"rendered":"

    There\u2019s something undeniably delightful about Emily in Paris. The colors, the clothes, the flirtations, the unapologetic sparkle \u2014 it\u2019s a show that knows exactly what it is and refuses to apologize for being fun. I love that about it. I love the escapism, the fashion, the way Paris glows like a curated postcard. But loving […]<\/p>\n","protected":false},"author":2,"featured_media":1553,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2227,2232,2230,2228,2234,2233],"tags":[1492,1482,1483,1484,1485,1486,1487,1488,1490,1491,1489,1500,1494,1495,1496,1497,1498,1499,1493,1501,1502,1505,1517,1503,1504,1508,1509,1510,1506,1507,1511,1512,1513,1514,1515,1516,1696,1697,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1578,1574,1575,1576,1577,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1694,1695,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693],"class_list":["post-1554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-environmental","category-politics","category-scholarly-journal","category-social-science","category-travel","tag-am-thuc-viet-chiu-anh-huong-phap","tag-americains-en-france","tag-american-abroad-experience","tag-american-flag-in-paris","tag-american-girl-in-paris","tag-american-identity-abroad","tag-american-perception-in-france","tag-analyse-culturelle-paris","tag-anh-huong-am-thuc-phap","tag-anh-huong-phap-tai-chau-a","tag-appartenance-culturelle","tag-ban-sac-da-van-hoa","tag-ban-sac-hau-thuoc-dia","tag-ban-sac-lai","tag-ban-sac-lai-da-tang","tag-ban-sac-nguoi-viet-hai-ngoai","tag-ban-sac-phap-viet","tag-ban-sac-viet-phap-thuy-si-my","tag-banh-ngot-viet-nam","tag-bilinguisme-vietnamien-francais","tag-cach-nguoi-chau-au-nhin-nguoi-my","tag-cam-giac-thuoc-ve","tag-cang-thang-van-hoa-hien-dai","tag-cau-chuyen-ca-nhan","tag-cau-chuyen-song-sot","tag-chu-nghia-thuc-dan-phap","tag-colonial-vietnam-jobs","tag-colonialisme-francais","tag-cong-dong-nguoi-viet-tai-phap","tag-cong-dong-nguoi-viet-tai-thuy-si","tag-critique-culturelle","tag-critique-de-la-france-moderne","tag-critique-emily-in-paris","tag-cuisine-vietnamienne-dinspiration-francaise","tag-culture-franco-vietnamienne","tag-culture-vietnamienne-en-europe","tag-da-van-hoa","tag-dai-dien-nguoi-viet","tag-desserts-vietnamiens","tag-di-san-gia-dinh","tag-di-san-ngon-ngu","tag-di-san-nhieu-the-he","tag-di-san-thuy-si-viet-nam","tag-diaspora-vietnamienne-en-france","tag-diaspora-vietnamienne-en-suisse","tag-emily-in-paris-analyse","tag-emily-in-paris-critique","tag-emily-in-paris-phan-tich","tag-emily-in-paris-realism","tag-familles-metissees-france-vietnam","tag-femmes-metisses-en-europe","tag-femmes-vietnamiennes-en-france","tag-fierte-americaine-vietnamienne","tag-fierte-culturelle","tag-fierte-franco-vietnamienne","tag-fierte-suisse-vietnamienne","tag-france-america-cultural-divide","tag-france-vietnam-colonialism","tag-franco-american-relations","tag-franco-american-tensions","tag-french-adoption-for-survival","tag-french-colonial-echoes","tag-french-colonial-trauma","tag-french-exclusion-history","tag-french-identity-politics","tag-french-last-name-discrimination","tag-french-vietnamese-cultural-tension","tag-french-vietnamese-family-legacy","tag-french-vietnamese-generational-trauma","tag-gia-dinh-lai-phap-viet","tag-hanh-trinh-di-cu","tag-heritage-familial","tag-heritage-linguistique","tag-heritage-suisse-vietnamien","tag-heritage-transgenerationnel","tag-histoire-de-lindochine","tag-histoire-des-metis-en-indochine","tag-histoire-familiale-franco-vietnamienne","tag-histoire-familiale-transnationale","tag-histoire-metis","tag-histoire-vietnamienne-en-europe","tag-identite-diasporique","tag-identite-franco-vietnamienne","tag-identite-hybride","tag-identite-metisse","tag-identite-multiculturelle","tag-identite-post-coloniale","tag-identite-suisse-francaise-vietnamienne","tag-immigration-vietnamienne","tag-impact-du-colonialisme","tag-influence-francaise-en-asie","tag-influence-francaise-sur-la-cuisine-vietnamienne","tag-ky-uc-gia-dinh","tag-ky-uc-thuoc-dia","tag-lich-su-dong-duong","tag-lich-su-gia-dinh-phap-viet","tag-lich-su-gia-dinh-xuyen-quoc-gia","tag-lich-su-metis","tag-lich-su-nguoi-viet-tai-chau-au","tag-memoire-coloniale","tag-memoire-familiale","tag-metis-colonial-history","tag-mon-trang-mieng-viet-nam","tag-multiculturalisme","tag-nguoi-lai-trong-thoi-phap-thuoc","tag-nguoi-my-tai-phap","tag-nguoi-viet-hai-ngoai","tag-niem-tu-hao-my-viet","tag-niem-tu-hao-phap-viet","tag-niem-tu-hao-thuy-si-viet","tag-niem-tu-hao-van-hoa","tag-parcours-migratoire","tag-paris-fantasy-vs-reality","tag-paris-reel-vs-paris-fantasme","tag-paris-thuc-te-va-paris-trong-phim","tag-patisseries-vietnamiennes","tag-perception-des-americains-en-europe","tag-phan-tich-van-hoa","tag-phan-tich-van-hoa-paris","tag-phe-binh-emily-in-paris","tag-phe-binh-nuoc-phap-hien-dai","tag-phu-nu-lai-tai-chau-au","tag-phu-nu-viet-tai-phap","tag-quan-he-phap-hoa-ky","tag-quan-he-phap-my","tag-quan-he-phap-viet","tag-recit-de-survie","tag-recit-personnel","tag-relations-france-etats-unis","tag-relations-france-vietnam","tag-relations-franco-americaines","tag-representation-vietnamienne","tag-saigon-is-burning","tag-saigon-is-burning-memoir","tag-song-ngu-viet-phap","tag-swiss-roots-in-vietnam","tag-swiss-vietnamese-family-history","tag-swiss-vietnamese-identity","tag-swiss-vietnamese-memoir","tag-swiss-french-heritage","tag-tac-dong-thuoc-dia","tag-tensions-culturelles-modernes","tag-traditions-franco-vietnamiennes","tag-transmission-culturelle","tag-truyen-thong-phap-viet","tag-truyen-thua-van-hoa","tag-van-hoa-phap-viet","tag-van-hoa-viet-tai-chau-au","tag-viet-nam-thoi-phap-thuoc","tag-vietnam-colonial","tag-vietnamese-american-abroad","tag-vietnamese-american-artist","tag-vietnamese-american-blogger","tag-vietnamese-american-cultural-critique","tag-vietnamese-american-editorial","tag-vietnamese-american-emotional-truth","tag-vietnamese-american-experience","tag-vietnamese-american-family-history","tag-vietnamese-american-fashion-critique","tag-vietnamese-american-flags","tag-vietnamese-american-generational-trauma","tag-vietnamese-american-heritage","tag-vietnamese-american-historical-reflection","tag-vietnamese-american-identity","tag-vietnamese-american-in-colonial-history","tag-vietnamese-american-in-diaspora","tag-vietnamese-american-in-europe","tag-vietnamese-american-in-france","tag-vietnamese-american-in-modern-critique","tag-vietnamese-american-in-modern-europe","tag-vietnamese-american-in-modern-fashion","tag-vietnamese-american-in-modern-france","tag-vietnamese-american-in-modern-heritage","tag-vietnamese-american-in-modern-identity","tag-vietnamese-american-in-modern-journalism","tag-vietnamese-american-in-modern-memoir","tag-vietnamese-american-in-modern-narrative","tag-vietnamese-american-in-modern-pride","tag-vietnamese-american-in-modern-reflection","tag-vietnamese-american-in-modern-storytelling","tag-vietnamese-american-in-modern-travel","tag-vietnamese-american-in-modern-truth","tag-vietnamese-american-in-paris","tag-vietnamese-american-in-switzerland","tag-vietnamese-american-journalist","tag-vietnamese-american-memoir","tag-vietnamese-american-narrative","tag-vietnamese-american-perspective","tag-vietnamese-american-perspective-on-france","tag-vietnamese-american-pride","tag-vietnamese-american-roots","tag-vietnamese-american-storytelling","tag-vietnamese-american-symbolism","tag-vietnamese-american-travel-critique","tag-vietnamese-american-tutor","tag-vietnamese-american-writer","tag-vietnamese-colonial-survival","tag-vietnamese-diaspora-in-europe","tag-vietnamese-diaspora-stories","tag-vietnamese-family-in-paris","tag-vietnamese-family-memoir","tag-vietnamese-flag-symbolism","tag-vietnamese-flags-in-europe","tag-vietnamese-flags-in-france","tag-vietnamese-french-american-identity","tag-vietnamese-french-mixed-families","tag-vietnamese-girl-in-france","tag-vietnamese-heritage-in-france","tag-vietnamese-history-in-paris","tag-vietnamese-legacy-in-france","tag-vietnamese-metis-history","tag-vietnamese-mixed-identity","tag-vietnamese-mixed-race-history","tag-vietnamese-pride-in-paris","tag-vietnamese-storytelling","tag-vietnamese-storytelling-in-diaspora"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/themossytypewriter.com\/wp-content\/uploads\/2026\/01\/1768942364136.png","_links":{"self":[{"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/posts\/1554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1554"}],"version-history":[{"count":1,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/posts\/1554\/revisions"}],"predecessor-version":[{"id":3888,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/posts\/1554\/revisions\/3888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=\/wp\/v2\/media\/1553"}],"wp:attachment":[{"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themossytypewriter.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}